Intrada proudly presents eerie, terrifying original soundtrack by Jerry Goldsmith from Richard Franklin follow-up to famed Alfred Hitchcock thriller about Norman Bates and those twelve vacancies at his Bates Motel.
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Intrada proudly presents eerie, terrifying original soundtrack by Jerry Goldsmith from Richard Franklin follow-up to famed Alfred Hitchcock thriller about Norman Bates and those twelve vacancies at his Bates Motel. Anthony Perkins, Vera Miles reprise their iconic roles with newcomers Meg Tilly, Dennis Franz adding to suspense, chills. Goldsmith takes sensational approach to horror tale by anchoring entire score not with scary theme but with incredibly gentle, minor key idea that generates significant amount of sympathy for Norman, his attempts to go straight after years in prison. That said, horrific events follow and composer launches riveting action material in kind. Orchestration is unique: requisite strings in tribute to classic Bernard Herrmann original play key role but composer adds array of colors courtesy piano, large woodwind section, synthesizer. Goldsmith tacets all brass save French horns, allowing the expressive instruments to rip, tear and bray through numerous frightening passages. An unusually intense additional color comes from wild "knife slashes" written into score. With all these sizeable shadings of sound, resulting music ranges from gently beautiful, hauntingly sad to wildly aggressive, strikingly intense. Complete score presented in dynamic stereo courtesy multi-track session masters vaulted in pristine condition at Universal. For original 1982 album, Goldsmith did considerable editing within cues, dropped major sequences entirely to keep duration at a half hour. In some cases he also attached names of certain cues to others instead. Scoring session paperwork and cue sheets allowed us to properly identify everything for the first time. Fun to discover Goldsmith wrote two separate sequences titled "Mothers Room", "Mother's Room #2" plus two additional alternate versions featuring different bells, chimes, electronic effects within. All four appear on our CD. Also fun to discover haunting "End Title" was originally scored with striking pizzicato strings that plucked rhythmic accompaniment to introduction of gentle theme. This unused alternate also appears on our CD in "extras" section. Goldsmith also recorded two Beethoven piano excerpts at his sessions to be heard as Bates plays piano onscreen. Both also appear as extras, as does alternate version of "Peep Hole #2". Highlights of new music are many but deserving spotlight are intense "Toomy's Death", stark two-part voicings of French horns during "Expected Guest". Flipper cover allows listeners to select new artwork or original MCA album cover. Jerry Goldsmith conducts. Intrada Special Collection release available while quantities and interest remain!
01. The Murder (Bernard Herrmann) (0:59) 02. Psycho II – Main Title (1:39) 03. The House (1:51) 04. Mother’s Hand (1:54) 05. Old Weapons (0:41) 06. Cheese Sandwich (0:31) 07. Mother’s Room (2:05) 08. Out To Lunch (2:00) 09. No Note (1:05) 10. The Peep Hole (1:47) 11. Toomy’s Death (1:11) 12. Peep Hole #2 (Revised) (0:55) 13. Mother’s Room #2 (4:28) 14. Basement Killing (1:18) 15. New Furniture (0:44) 16. It’s Starting Again (0:40) 17. A Night Cap (1:08) 18. Blood Bath (4:01)
Violins: Erno Neufeld
Al Breuning
Stu Canin
Ron Clark
Herman Clebanoff
Assa Drori
Reginald Hill
Bill Hybel
George Kast
Connie Kupka
David Montagu
Greg Moore
Alex Murray
Jack Pepper
Stanley Plummer
Nate Ross
John Sambuco
Josef Schoenbrun
Daniel Shindaryov
Arkady Shindelman
Haim Shtrum
Jennifer Small
Lya Stern
Dorothy Wade
Harold Wolf
Jennifer Woodward
Violas: Pamela Goldsmith
Myer Bello
Denyse Buffum
Rollice Dale
Roland Kato
Janet Lakatos
Carole Mukogawa
Dan Neufeld
Sven Reher
Joel Soultanian
Celli: Ron Leonard
Eleanor Slatkin
Bob Adcock
Marie Fera
Dennis Karmazyn
Dane Little
Earl Madison
Bob Martin
Nils Oliver
Basses: Milton Kestenbaum
John Hornschuch
Ed Meares
Peter Mercurio
Sue Ranney
David Young
Woodwinds: Dominick Fera
Roy D'Antonio
Gary Gray
James Kanter
John Lowe
David Shifrin
Julian Spear
Ralph Williams
French Horns: Vincent De Rosa
Art Maebe
Richard Perissi
Henry Sigismonti
Drums/Percussion: Shelly Manne
Emil Radocchia
Kenneth Watson
Harp: Dorothy Remsen
Piano: Ralph Grierson
Craig Hundley (Huxley)
Mike Lang