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FIRST BLOOD (2CD - REMASTERED)
ABBOTT AND COSTELLO MEET FRANKENSTEIN / ABBOTT AND COSTELLO MEET THE KEYSTONE KOPS
THE OLD MAN AND THE SEA (2CD RE-RECORDING)
SUPERCELL
KILLING ME SOFTLY WITH HIS SONGS
JERRY GOLDSMITH AT THE GENERAL ELECTRIC THEATER
THE PIPER
SOLO: A STAR WARS STORY (2CD - DELUXE EDITION)
THE MAN WHO KNEW TOO MUCH / ON DANGEROUS GROUND (RE-RECORDING)
80 FOR BRADY
ALBERTINA RASCH & THE GREAT AMERICAN BALLET - PIANO MUSIC FOR CONCERT AND STAGE
PRANCER: A CHRISTMAS TALE
STAR TREK III: THE SEARCH FOR SPOCK (2CD - REISSUE)
THE LAST STARFIGHTER (REISSUE)
THE SAND PEBBLES (2CD - REISSUE)
THE PHANTOM OF THE OPERA - NEW MUSIC FOR THE 1925 FILM
BLACK PATCH / THE MAN (RE-RECORDING)
CLIFFORD THE BIG RED DOG
TO KILL A MOCKINGBIRD / WALK ON THE WILD SIDE
JULIUS CAESAR (REMASTERED RE-RECORDING)
THE CALL OF THE WILD
RIO CONCHOS / THE ARTIST WHO DID NOT WANT TO PAINT (REMASTERED RE-RECORDING)
THE CROODS: A NEW AGE
THE HAUNTING OF BLY MANOR
IVANHOE (REMASTERED RE-RECORDING)
DRAGONHEART VENGEANCE
PARIS UNDER THE STARS - BALLET MUSIC FOR ALBERTINA RASCH
DIAL M FOR MURDER (RE-RECORDING)
DORA AND THE LOST CITY OF GOLD
CRAWL
MA
HAPPY DEATH DAY 2U
BACKDRAFT 2
WELCOME TO MARWEN
RAMBO III (RE-MASTERED)
RAMBO: FIRST BLOOD PART II (2CD)
TEN COMMANDMENTS, THE (6CD BOX SET)
SILVER STREAK (REISSUE)
TRANSFORMERS: THE MOVIE, THE (180 GRAM VINYL)
CLASH OF THE TITANS (180 GRAM VINYL)
ROCKY IV (180 GRAM VINYL)
WARLOCK (180 GRAM VINYL)
JAWS (2CD)
BACK TO THE FUTURE
IN HARM'S WAY (EXPANDED)
TROLL (180 GRAM VINYL)
ON THE WATERFRONT
SWITCHBACK (REISSUE)
 Signature Edition
 Special Collection

HAPPY DEATH DAY 2U

HAPPY DEATH DAY 2U
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    Bear McCreary
    Label: Intrada INT 7153
    Film Date: 2019
    Album Date: 2019
    Time: 65:00
    Tracks: 17
    Exciting, aggressive Bear McCreary score to latest entry in Blumhouse horror franchise!

    Price: (Sold Out) (Sold Out)

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    • More Info
    • Track List
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    • Exciting, aggressive Bear McCreary score to latest entry in Blumhouse horror franchise! Following success of 2017 horror/comedy Happy Death Day, Universal Pictures presents sequel, picking up where first installment leaves off. Bigger action and thrills abound as newest tale expands into territory that includes science fiction and heist activities alongside familiar ingredients that made the initial tale so much fun. Christopher Landon writes, directs. Jason Blum again produces. Back for more thrills are stars Jessica Rote, Israel Broussard. Also back is prolific composer Bear McCreary, expanding upon numerous ideas from his first score while ushering in new ideas to meet expanding storylines. Each movie’s success stems from vigorous meld of slasher genre tropes with refreshing elements of humor and déjà vu. McCreary positions himself with an emphasis towards the thrills, in this new score adding sci-fi elements to up the ante. His expanded orchestral material gets plenty of front-and-center attention in the film. Low brass receive particularly bright spotlights! Other strong ideas include glissandi, pizzicato effects and harmonics in the violins. McCreary opens with buoyant ostinato with brief wisps of lydian harmony amongst the liveliness. Two minutes later the suspense and bolder brass elements make an appearance. McCreary generates increased density to this cool opening sequence (“Two Tuesdays”), adds striking tri-tone motif for sci-fi color and gallops to a forceful finish. And all this in just his first five minute opener! The subsequent “Stalker at the Gym” launches the thrills with aggressive full orchestral activity and a rich chordal sequence in the major towards the climax. In just under eight minutes, McCreary has established a wide array of new musical devices while remaining cohesive with his first score. Not an easy feat! Other highlights: Deliberate rhythmic ostinato of “Monday the 18th Again”, with its striking forays into the tri-tone harmonic vernacular amidst the pounding thrills and slashing excitement of “Back to the Hospital”, combining lively rhythm with dynamic intensity in equal doses. Respite from action does poke through with unusually dramatic, emotional “Birthday Candles”, which progresses from sparse, tender-sad solo piano to powerful, weighted emotional melody in full orchestra. Rich cue! Still, thrills remain keynote with strongest spotlight shining on lengthy “The Final Confrontation”, with incredible bursts of ferocious trombone and French horn activity punching through chaotic string writing. Array of changing rhythms and intense, unrelenting forward motion leading to vivid climax is an arresting musical tour-de-force! “DARPA” winds score proper with one final, fierce coda. “End Credits” plays as knock-out summary of primary action material with beautiful foray into haunting “Tree” theme before bravura finish. Exhilarating score! Recorded in Vienna, Austria. Orchestrations by Sean Barrett, Benjamin Hoff, Jamie Thierman. Bear McCreary composes, Johannes Vogel conducts Synchron Stage Orchestra.
    • Play all clips

      01. Two Tuesdays (5:16)
      02. Stalker At The Gym (2:56)
      03. The Science Project (2:54)
      04. Monday The 18th Again (4:18)
      05. Danielle (2:24)
      06. A Reason To Stay (1:52)
      07. Back To The Hospital (3:18)
      08. Trail Of Blood (4:48)
      09. Can't Save Everyone (2:25)

      10. Solving Equations (3:39)
      11. Electrical Substation (2:57)
      12. Living In The Past (2:03)
      13. Birthday Candles (6:20)
      14. The Heist (4:17)
      15. The Final Confrontation (8:49)
      16. DARPA (1:49)
      17. Happy Death Day 2U End Credits (4:50)
      Total Time: 65:00

    MA

    Gregory Tripi

               

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