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 Digital

ANOTHER STAKEOUT

ANOTHER STAKEOUT
Download Artwork
    Arthur B. Rubinstein
    Label: Intrada Special Collection Volume ISC 407
    Film Date: 1993
    Album Date: 2018
    Time: 60:25
    Tracks: 35
    Exciting 1993 Arthur B. Rubinstein soundtrack CD premiere!

    Price: (Sold Out) (Sold Out)

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    • More Info
    • Track List
    • Doug's Tech Talk
    • Musicians List
    • Reviews
    • Exciting 1993 Arthur B. Rubinstein soundtrack CD premiere! From Touchstone Pictures comes John Badham’s sequel to his hit 1987 action comedy Stakeout. As with the original, Badham offers profuse action and thrills with his comic touches in another tale of buddy cops Richard Dreyfuss and Emilio Estevez on the trail of bad guys, this time being no less than a local Mob boss and his deadly hitman (Miguel Ferrer) chasing after star witness Cathy Moriarty. Featured is Rosie O’Donnell as the zealous Assistant District Attorney who engages our two cops in staking out the lakeside residence where Moriarty is believed to be hiding out. Composer Arthur B. Rubinstein again scores albeit this time enlarging the scope of his music significantly with an 80-piece orchestra. The scale is bigger, the comic episodes more involved and the action is much bigger. At times its intense. This is Rubinstein doing what he does best, working with the director he is most famed for. Listeners are the beneficiaries! The shape of Rubinstein’s score is worthy of note: Intense drama and action open,  then light comic material enters, soon followed by melodic development, all leading to powerhouse action segments and a rousing final shootout. When all is said and done, Rubinstein wraps with a brief unassuming coda. There are numerous highlights but the action sequences deservedly get the spotlight: After a lengthy “Main Title” set-up, “You Dump We Pump” illuminates the frightening initial bombing attack with crisp low brass punctuation over rolling left hand piano and snare. Staccato trumpets add to the terror. “Arrest Him” launches with witty harmonica and guitar but quickly dissolves into more crisp low brass and dynamic rhythmic activity as the chase gets underway. When Rubinstein zeroes in on the climactic chase and shootout sequences, all vestiges of comic play drop as the film heats up: “Dock Threat/Water Fight” gets things going with dark, intense material based on the composer’s signature harmonic vernacular of shifting minor chords in strings leading to jagged outbursts from a trio of trumpets. The grim mood remains throughout several cues, culminating in two back-to-back deadly serious action sequences: “Cops Shooting Cops” followed by “Tony Gets Gina”. Together they offer some of Rubinstein’s most ferocious action writing of his terrific career. Powerhouse! Entire CD mixed and mastered from the original 2” 24-track session masers vaulted in pristine condition by Walt Disney Pictures. Informative liner notes by John Takis, colorful “flipper-style” booklet design by Kay Marshall. Sad footnote: As this CD went into production, it was to become the last soundtrack album Mr. Rubinstein was personally involved with before his death in April 2018 of complications resulting from cancer. This important release is understandably presented in loving memory of him. John Richards mixes, Brad Warner orchestrates, Arthur B. Rubinstein composes, conducts. Intrada Special Collection CD available while quantities and interest remain!
    • Play all clips

      01. Main Title (5:05)
      02. You Dump We Pump (2:22)
      03. Aftermath (0:46)
      04. Arrest Him (3:18)
      05. Garbage Fight (0:50)
      06. Dead Mackerel (0:28)
      07. Father And Son (1:01)
      08. Talk Like That (1:54)
      09. I’m Leaving (0:58)
      10. Delano’s Not Dead (0:42)
      11. Paper, Rocks, Scissors (2:48)
      12. Drive To Isle (1:27)
      13. Stickley!! (0:52)
      14. Kitty Pie (1:59)
      15. You Forgot My Name (0:40)
      16. Dos Cero Seis!! (1:25)
      17. Dinner Interruption (1:11)
      18. Staying Awake (0:59)
      19. Stakeout (1:36)

      20. Jogging (1:51)
      21. Dangerous Ball (0:51)
      22. Putting In A Bug Pt. 1 (3:10)
      23. Putting In A Bug Pt. 2 (1:39)
      24. Night Knock Out (0:52)
      25. Tied, Taped And Hooded (1:01)
      26. Night Sprinklers (0:53)
      27. Not On The Phone!! (1:15)
      28. Knocked Down Stairs (0:38)
      29. Dock Threat/Water Fight (5:03)
      30. Get The Car!!* (0:52)
      31. Hello Tony (1:00)
      32. Tony Arrives On Isle (1:40)
      33. Cops Shooting Cops (3:32)
      34. Tony Gets Gina (3:01)
      35. Marry Me (1:51)

      Total Time: 60:25
      *Not Featured in Film

    • Tech Talk From The Producer…



      Arthur B. Rubinstein gave his score for Another Stakeout an interesting architectural shape. Roughly speaking, he composed it using an A-B-A-B structure: he scored the opening portion in a serious vein, then fashioned his score to match the amiable dynamics of the two principal stars (Richard Dreyfuss and Emilio Estevez).

      He next proceeded to score in a deadly serious mode—among Rubinstein’s most dark and aggressive writing—and finally wrapped everything with a brief coda utilizing elements from his amiable material for a quiet finish. The soundtrack for Another Stakeout plays as two distinct scores. Common thematic ideas and harmonic devices are shared in both styles of writing and the result is an unusually strong cohesiveness within a widely diverse hour of music.

      This premiere release of Rubinstein’s score was prepared directly from the original 2” 24-track session masters recorded over four days in late June 1993 by veteran John Richards at Todd-AO Studios with the composer conducting. All eleven rolls of Dolby A-encoded tape survived in pristine condition and the new digital album mixes made in 24bit 96kHz at Intrada are crisp and vibrant.

      The score is presented in the sequence Rubinstein intended for the film.

      Two very brief synth-based cues that were assembled in postproduction are not included. “Father And Son” and “Kitty Chase” were each tracked into the film twice and appear just once on this CD as the composer originally planned. There were also several brief editorial changes to the music during the climactic action sequences, particularly the shootout with cops firing at each other in front of the witness protection safe-house. In those postproduction edits, several bars from the cues as re corded by Rubinstein were dialed out and bars from earlier cues were used instead. In these instances, this CD presents the cues as Rubinstein originally composed them.

      Finally, one dramatic cue, “Get The Car!!” (track 30), with three unison trumpets playing one of the score’s important motifs in a piercing upper register, was recorded but subsequently dropped from the film. It appears on this CD in the sequence where the composer had intended.

      —Douglass Fake

    • Composed and Conducted by ARTHUR B. RUBINSTEIN.
      Recorded on June 21, 22, 23, 24 & 28, 1993 at TODD-AO SCORING, Studio City, California.

      This soundtrack was produced in cooperation with the
      American Federation of Musicians of the United States and Canada.



      CONDUCTOR
      ARTHUR B. RUBINSTEIN

      VIOLIN
      Seymour Z. Rubinstein
      Richard L. Altenbach
      Jacqueline I. Brand
      Robert L. Brosseau
      Eve Butler Sprecher
      Andrea Byers
      Darius Campo
      Tamara Chang
      Isabelle Daskoff
      Henry Ferber
      Ronald Folsom
      Berj Garabedian
      Pamela Gates Henderson
      Rhonni Hallman
      Gwen R. Heller
      Frances Moore
      Don Palmer
      Katia K. Popov
      Barbra Porter
      Debra Price
      Christopher Reutinger
      Jay Rosen
      Robert Sanov
      Marc Sazer
      Barry Socher
      Andrea Steinberg
      Mari Tsumura Botnick
      Dorothy Wade
      Margaret Wooten

      VIOLA
      Janet Lakatos
      Keith Greene
      Renita Koven
      Cynthia Morrow
      Carole S. Mukogawa
      Maria L. Newman
      Harry Shirinian
      Raymond J. Tischer II



      CELLO
      David Speltz
      Ernest Ehrhardt Christine Ermacoff
      Paula Hochhalter
      Roger Lebow
      David Low
      Miguel Martinez
      Sally Rosoff
      Frederick Seykora
      Christina Soule
      Nancy Stein-Ross
      John A. Walz

      BASS
      Charles Domanico
      Timothy C. Barr
      John Clayton
      Robert Daugherty
      David Young

      WOODWINDS
      Jon C. Clarke
      Beverly DahlkeSmith
      Gary Foster
      Ronald Jannelli
      John J. Mitchell
      Joel C. Peskin

      FRENCH HORN
      Richard J. Todd
      Marilyn Johnson
      Ronn Kaufmann
      Diane Muller
      Calvin Smith

      TRUMPET
      Warren H. Luening Jr.
      Malcolm McNab
      Wayne Bergeron
      George Graham
      Larry McGuire



      TROMBONE
      William C. Booth
      William F. Reichenbach
      Jeffrey Reynolds
      Phillip Teele
      Chauncy Welsch

      TUBA
      John Tommy Johnson

      PERCUSSION
      Michael A. Englander
      Daniel L. Greco
      Stephen Houghton
      Thomas D. Raney
      Steven Schaeffer
      Wallace Snow

      HARP
      Katie Kirkpatrick

      KEYBOARDS/SYNTH
      John Berkman
      Michael A. Lang
      David Rubinstein

      GUITAR
      Dennis Budimir

      HARMONICA
      Tommy Morgan

      BOOTH
      Brad Warnaar

      COPYISTS
      Mauro Bruno
      Ernie Carlson
      Josephine Dapar
      Camillo Fidelibus
      Dominic Fidelibus
      Newcomb Rath
      Ricardo Vettraino
      Booker T. White

      LIBRARIAN
      Barbara A. Nahlik

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