Greatly expanded original soundtrack from action-packed Chuck Norris sequel!
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Greatly expanded original soundtrack from action-packed Chuck Norris sequel! Younger brother Aaron Norris directs, Lee Reynolds scripts, Chuck leads with able support from John P. Ryan, Paul Perri, Richard Jaeckel, Billy Drago, Cannon Films presents. South American drug cartels are the targets of Norris and team with murder, corruption and vengeance in tow. Frederic Talgorn approached the violent tale with an interesting twist: Electronics and percussion color the suspense, locale and grim elements while full-blooded symphony orchestra plays for the heroics, adding muscle to key sequences. Budgetary needs made the trade between orchestra and synthesizers a necessity but Talgorn made the most of both ensembles. Strings in tragic, minor-key mode bring pain to “Bobby Finds Dead Family”, rousing orchestral dazzle dazzle plays for energetic training sequences (“The Bear Pit”, “Training Montage”), strings alone with emphasis on extreme registers offer intensity to “Hector And Bobby Die”, orchestra and electronics meld for soaring launch to “Chuck Parachutes In”. Action highlight: ten minute “The Chase”, with riveting synthesizers propelling the music into and out of the deadly high-speed action scene. Hang on! Yet another element of Talgorn’s score is the exotic color of ethnic flute over percussion and synths spotlighting the mountain and jungle backdrops, particularly a perilous cliff-climbing sequence. Talgorn leads with a heroic fanfare-theme in bright major keys, using it judiciously until the Delta Force tackle the enemy in climactic combat. Highlighting this layer of the music is the second portion of the lengthy “Stranglehold Is A Go”. Three years after the film opened, a 39-minute soundtrack was released, produced by the composer in two lengthy suites, one of just orchestra highlights, the other of electronic sequences, plus the closing song written by Talgorn with Harriet Schock. To present the entire 76-minute score on CD 1, Intrada went back to the original Dolby SR-encoded two track mix masters made by engineer Doug Botnick (brother of legendary scoring mixer Bruce Botnick). CD 2 offers the 1993 program as edited and produced by the composer. All master elements were vaulted by MGM in pristine condition. Informative notes by Daniel Schweiger, colorful flipper booklet cover design by Kay Marshall. Orchestral score recorded in Paris, France. Frederic Talgorn conducts Orchestre Symphonique D’Europe. Intrada Special Collection 2-CD set available while quantities and interest remain!
CD1 The Original Film Soundtrack 01. The Bear Pit (1:37) 02. The Limo Arrives (1:52) 03. Cota’s Fooled Them (1:36) 04. Skinhead Shuffle (0:39) 05. Jose Gets The Blade (2:21) 06. Skyjacking (5:01) 07. Bobby’s Family Killed (2:03) 08. Bobby Finds Dead Family (1:23) 09. Bobby Knocks Out Chuck (1:05) 10. DEA Dummies (0:56) 11. Hector And Bobby Die (3:46) 12. Training Montage (1:02) 13. Chuck Parachutes In (2:44) 14. The Bridge Crossing (3:30) 15. Chuck Begins Climb (1:31) 16. Ramone Kills El Jefe (1:12) 17. Stranglehold Is A Go (7:22) 18. Village Attack (6:22) 19. Bedroom Brawl (3:14) 20. Ramone’s Death Poem (1:14) 21. The Chase (10:04) 22. Olmedo’s Short Victory (2:47) 23. Let’s Get’Em (2:46) 24. It Was Worth It (1:25) 25. Ramone’s Head Aches (1:25) 26. Delta Force Closing In (0:42) 27. Not Today/“The Winds Of Change” (6:58) CD1 Total Time: 76:04
CD2 The Original 1993 Soundtrack Album 01. Orchestral Suite (21:57) Skyjacking Bobby’s Family Killed Bobby Finds Dead Family Ramone Kills El Jefe Jose Gets The Blade Chuck Watches Tape The Bear Pit Hector & Bobby Die It Was Worth It Cota’s Fooled Them Dead Hubby & Baby Picture Ramone’s Death Poem Not Today Training Montage 02. “The Winds Of Change” (3:17) 03. Synthesizer Suite (13:54) Cota’s Plane Lands Chuck Saves DEA Guys Bridge Crossing It’s A Big One Stranglehold Is A Go Chuck Begins Climb Chuck Still Climbing Chuck & Snake Chuck Reaches The Top Chuck & Ramone DEA Dummies Bobby The Shark Delta Force Arrive CD2 Total Time: 39:10
Tech Talk From The Producer…
The Soundtrack for Delta
Force 2 was originally issued in
1993, three years after the film opened,
by the German film music label Alhambra.
That release contained 39 minutes of
music, neatly presented in two lengthy
suites—one orchestral, one synthesized—
plus the closing song. While the suites
were not presented in film sequence and
also omitted a lot of music, they offered a
rewarding listening experience, prepared
for film music fans by composer Frederic
Talgorn himself.
That original 1993 program appears
with this Intrada release on CD 2,
just as Talgorn produced and assembled
it back in the day. CD 1 of our presentation
allows the listener an opportunity
to enjoy the entire score (including 35
minutes of previously unreleased music)
in chronological order. The experience is
especially rewarding in that it reveals the
architecture of Talgorn’s exciting music as
a whole. Several ideas are presented, both
in the synthesizer cues and in the orchestral
sequences. Hearing the material as
it weaves in and out between the robust
colors of an orchestra and the more
focused tones of the synthesizer performance
makes for great contrast while still
being highly cohesive, especially when
the thematic elements are so unified
throughout both idioms. It’s a polished
score, anchored by an exciting main
theme and layered with numerous other
motifs throughout: the rousing action
music, including a spectacular synthesized
“Chase” cue, the austere but still very
tonal writing surrounding Chuck Norris’
perilous mountain climb, the ethnic colors
underscoring the villain Cota, a dramatic
line for Bobby and chopping and muscular
“give-and-take” music for the exciting
“Bedroom Brawl.”
To present the entire score, Intrada
went back to the Dolby SR-encoded
two-track stereo mix masters prepared
by Doug Botnick at Pacifique Recording
Studios in North Hollywood and vaulted
by MGM in pristine condition. There is
just one detour from the exact picture
chronology: the two exciting Delta Force
training sequences, built from identical
motivic material, appear back-to-back in
the film. We have simply placed the first
of those two pieces at the start of CD 1,
avoiding the motivic material literally
playing twice in a row and also affording
a much stronger opening than what is
otherwise a series of very low-key synthesized
cues that begin the score in the film.
This is a rough and rugged mission
on which Chuck Norris and company embark.
Sign up with Frederic Talgorn and be
a part of the Delta Force musical support!