Label: Intrada Special Collection Volume ISC 273
Date: 1983
Time: 1:14:10
Tracks: 31
Intrada proudly presents eerie, terrifying original soundtrack by Jerry Goldsmith from Richard Franklin follow-up to famed Alfred Hitchcock thriller about Norman Bates and those twelve vacancies at his Bates Motel.

Price: $19.99

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  • Track List
  • Doug's Tech Talk
  • Musicians List
  • Intrada proudly presents eerie, terrifying original soundtrack by Jerry Goldsmith from Richard Franklin follow-up to famed Alfred Hitchcock thriller about Norman Bates and those twelve vacancies at his Bates Motel. Anthony Perkins, Vera Miles reprise their iconic roles with newcomers Meg Tilly, Dennis Franz adding to suspense, chills. Goldsmith takes sensational approach to horror tale by anchoring entire score not with scary theme but with incredibly gentle, minor key idea that generates significant amount of sympathy for Norman, his attempts to go straight after years in prison. That said, horrific events follow and composer launches riveting action material in kind. Orchestration is unique: requisite strings in tribute to classic Bernard Herrmann original play key role but composer adds array of colors courtesy piano, large woodwind section, synthesizer. Goldsmith tacets all brass save French horns, allowing the expressive instruments to rip, tear and bray through numerous frightening passages. An unusually intense additional color comes from wild "knife slashes" written into score. With all these sizeable shadings of sound, resulting music ranges from gently beautiful, hauntingly sad to wildly aggressive, strikingly intense. Complete score presented in dynamic stereo courtesy multi-track session masters vaulted in pristine condition at Universal. For original 1982 album, Goldsmith did considerable editing within cues, dropped major sequences entirely to keep duration at a half hour. In some cases he also attached names of certain cues to others instead. Scoring session paperwork and cue sheets allowed us to properly identify everything for the first time. Fun to discover Goldsmith wrote two separate sequences titled "Mothers Room", "Mother's Room #2" plus two additional alternate versions featuring different bells, chimes, electronic effects within. All four appear on our CD. Also fun to discover haunting "End Title" was originally scored with striking pizzicato strings that plucked rhythmic accompaniment to introduction of gentle theme. This unused alternate also appears on our CD in "extras" section. Goldsmith also recorded two Beethoven piano excerpts at his sessions to be heard as Bates plays piano onscreen. Both also appear as extras, as does alternate version of "Peep Hole #2". Highlights of new music are many but deserving spotlight are intense "Toomy's Death", stark two-part voicings of French horns during "Expected Guest". Flipper cover allows listeners to select new artwork or original MCA album cover. Jerry Goldsmith conducts. Intrada Special Collection release available while quantities and interest remain!

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    01. The Murder (Bernard Herrmann) (0:59)
    02. Psycho II – Main Title (1:39)
    03. The House (1:51)
    04. Mother’s Hand (1:54)
    05. Old Weapons (0:41)
    06. Cheese Sandwich (0:31)
    07. Mother’s Room (2:05)
    08. Out To Lunch (2:00)
    09. No Note (1:05)
    10. The Peep Hole (1:47)
    11. Toomy’s Death (1:11)
    12. Peep Hole #2 (Revised) (0:55)
    13. Mother’s Room #2 (4:28)
    14. Basement Killing (1:18)
    15. New Furniture (0:44)
    16. It’s Starting Again (0:40)
    17. A Night Cap (1:08)
    18. Blood Bath (4:01)

    19. Don’t Take Me (5:39)
    20. She’s Not Dead (1:16)
    21. Hello Mother (2:52)
    22. The Cellar (4:48)
    23. It’s Not Your Mother (5:11)
    24. Expected Guest (2:44)
    25. Psycho II – End Title (Revised) (4:18)
    Time: 56:41

    The Extras
    26. Sonata #14 [Moonlight],
          Op. 27, No. 2 – 1st Mvt (Beethoven) (1:51)
    27. Sonata #8 [Pathetique],
          Op. 13 – 2nd Mvt (Beethoven) (1:04)
    28. Peep Hole #2 (Original) (0:56)
    29. Mother’s Room #2 (Alternate No. 1) (4:28)
    30. Mother’s Room #2 (Alternate No. 2) (4:28)
    31. Psycho II – End Title (Original Version) (4:18)
    The Extras Time: 17:18

  • Composed and Conducted by Jerry Goldsmith.

    Recorded on December 13, 14, 15, 18, and 19, 1982, at Universal Pictures Scoring Stage, Hollywood, California.

    This soundtrack was produced in cooperation with the
    American Federation of Musicians of the United States and Canada.

    Sandy DeCrescent

    Erno Neufeld
    Al Breuning
    Stu Canin
    Ron Clark
    Herman Clebanoff
    Assa Drori
    Reginald Hill
    Bill Hybel
    George Kast
    Connie Kupka
    David Montagu
    Greg Moore
    Alex Murray
    Jack Pepper
    Stanley Plummer
    Nate Ross
    John Sambuco
    Josef Schoenbrun
    Daniel Shindaryov
    Arkady Shindelman
    Haim Shtrum
    Jennifer Small
    Lya Stern
    Dorothy Wade
    Harold Wolf
    Jennifer Woodward

    Pamela Goldsmith
    Myer Bello
    Denyse Buffum
    Rollice Dale
    Roland Kato
    Janet Lakatos
    Carole Mukogawa
    Dan Neufeld
    Sven Reher
    Joel Soultanian

    Ron Leonard
    Eleanor Slatkin
    Bob Adcock
    Marie Fera
    Dennis Karmazyn
    Dane Little
    Earl Madison
    Bob Martin
    Nils Oliver

    Milton Kestenbaum
    John Hornschuch
    Ed Meares
    Peter Mercurio
    Sue Ranney
    David Young

    Dominick Fera
    Roy D'Antonio
    Gary Gray
    James Kanter
    John Lowe
    David Shifrin
    Julian Spear
    Ralph Williams

    French Horns:
    Vincent De Rosa
    Art Maebe
    Richard Perissi
    Henry Sigismonti

    Shelly Manne
    Emil Radocchia
    Kenneth Watson

    Dorothy Remsen

    Ralph Grierson
    Craig Hundley (Huxley)
    Mike Lang

    Mike Rogers

    Arthur Morton